Should you stay or should you go? Dinner Party Music!

It’s nice to get word of positive things that our students do. Over the last holiday season wile at a parents friends house the kids overheard some magical words from the hosts mouth, “we have a music room downstairs”. When you play guitar the rest is history….Instant jam session. Here’s the video:Dinner Party Jam Session

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You’re Doing What?

YOU’RE DOING WHAT?!
Younger students who practice their music lesson material are always impressive. It’s a sign of high character and good values. It’s also an indication that someone in the home values the music lesson and the more people valuing music lessons, the better. Some students have a hard time making time for music. They often feel irritated about practicing and frustration each time they do. In either case, students can miss the mark when it comes to making the most of their practice time, and the solution can sometimes be a simple question.

WHAT AM I TRYING TO DO?

Oh Boy!

It seems simple enough but ask a student what they’re trying to do and I have found that they often can’t give you an answer. It usually goes something like, “I’m trying to practice.” Practice what? “My piano lesson.” O.k., but what are you trying to do? And therein lies the issue. If we can get our kids to say “I want to learn my left hand” or “my guitar teacher says it needs to be smoother,” we can succeed in teaching children to teach themselves. “WHAT” is often more important then how much or how often we practice. The old adage 30 or 60 minutes per day can become just that…old! We need to ask ourselves “WHAT” to understand the how.

Once you establish, “I am trying to play this passage of music softer” for example, the sooner your student can reach their goal. This is where learning and the real benefits of practice can really set in. Don’t be discouraged if (as a parent) you aren’t sure how to help your student. Most of these issues will be addressed once the question is realized but in the cases where it is not, please use common sense. Practicing ideas can be worked on by applying common sense and any effort in this direction will positively benefit the student. Not to mention, if a student starts a lesson by saying “you know last week I tried to work on __________ but was unsure how to do it,” you will see a big smile on your teacher’s face. That smile is a teacher saying “success” because their student was thinking “WHAT” they needed to do. After all, we (as teachers) can fix the rest.

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DEVELOP FUTURE MUSICIANS

LESSONS IN YOUR HOME LAUNCHES NEW WEBSITE TO HELP DEVELOP FUTURE MUSICIANS IN 6 CITIES

Atlanta Based Company Brings Creative Revolution to Professional Private Music Education

ATLANTA – Oct 01, 2011 – Lessons In Your Home, (LIYH) a professional music school without walls, today announced it has launched a new website designed to make it even easier for future musicians to begin their creative development today.  A major highlight of the site include a dedicated “Music In Your School” area, where schools can find out how to  develop or save existing school music programs.  Additionally, the site has improved search functionality to make it even easier for potential students and parents to research teachers that might be best for them.

LIYH’s model provides a fresh and dynamic approach to private music lessons.  The program is designed to address each student’s individual musical needs with valuable one-on-one time with their professional tutor, in the comforts of your home, with lessons that focus entirely on the student and their musical goals. Whether a child, or adult, wants piano lessons, violin lessons or the French horn, LIYH has a trained professional music teacher to meet that need.

“Something special happens when you teach a student in their home, you become part of the family and there’s suddenly a new family dynamic in the house — its music.” said Jay Maurice, founder and president, Lessons In Your Home.

Started in 1997, LIYH has grown to six locations across the nation.  Unique from other online private music teaching services that operate as teacher listing services, each LIYH location is managed locally by a city director. Their primary goal is match the best teacher for each student’s unique needs.

“Everyone has musical talent. It’s our job to cultivate their interests. Our favorite moment is when a student, who may not think they like music or being in a group plays or sings something so nice that it makes them smile. The recognition of feeling self confident is what’s most important,” said Maurice.

About Lessons In Your Home

Lessons In Your Home literally reached out to its students in 1997 when founder Jay Maurice began using people’s houses and schools as his studio. The approach was simple: give the highest quality lessons where they are most appreciated. LIYH teaches future musicians in Atlanta, Houston, Washington, DC, Miami/South Florida, Denver, and Orlando.

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Media Contact                                                                                        Related Links

Lisa Durrett                                                                                          http://lessonsinyourhome.net/

Blue Marble PR                                                                                          http://www.facebook.com/LessonsInYourHome.net

lkdurrett@bluemarblepr.com                                                     http://twitter.com/#!/LessonsNurHome

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What Students learn if they don’t practice?

Practice is important and fundamental in becoming a successful musician; but how important is practice to having successful music lessons? There are those teachers out there that practice a policy of exclusion, “practice your instrument or don’t take lessons (at least not with me). ”  This post aims to examine what else our students learn from their lessons and how being open minded to a non-practicing student can change your life and theirs.

On a global scale there are two types of teachers.  The first are those who only want practicing students.  “I’m guilty of dreaming of a student base of only kids who practiced. Taking them to student festivals, introducing them to my favorite composers, sharing with them the blah, blah, blah”……WAKE UP!  It’s not going to happen that way.  Then secondly, there are those teachers who find more in a music lesson than just the music.

Music students follow a 1-8-1 rule. Out of every ten students, one loves it, eight are o.k. with it, and one student wants to rip his guts out rather then take a music lesson. Lets ignore (for the sake of this post) the one student who loves music lessons (he or she will be just fine). What can be gained for the other nine?

• A consistent role model who cares about them whether they meet lesson expectations or not. Unconditional teacher/student relationships. YES, it’s the only way to teach.

• An appreciation for what a musician is. They learn this through a teacher’s passion that is expressed through music.

• The recital song – every student plays in the recital and they learn that even if you don’t love music, they can successfully play that piece if they have to. My mother-in-law can still play her recital song 50 years after she performed it. She hasn’t had a piano in 45 years but when she walks up to one out comes the song. SUCCESS!

• “The Click” – sometimes it just clicks. One of my favorite student stories is of Matt. Matt did not practice one day in three years and then one day, “Click!” and the rest is history.  He now plays professionally.

• A closer family relationship, that’s right. When a parent and student share an experience, they have more in common and can relate better with one another.

• Music Stuff – we all remember lessons in some part, even years after we learned them. Music theory, history, literature, and more are covered in each lesson. Who doesn’t recognize the names Mozart, Beethoven, Bach, Van Halen!

• Part of success in life is learning perseverance. Finishing a task that you may not want to finish. Compare that to taking five years of piano lessons that you didn’t love.

• Working and listening to a teacher can benefit your life, even if you don’t follow or complete every lesson.

Some music teachers reading this are probably shaking their head and saying “that was my teacher growing up, and that’s why I am a musician today”.  We can all benefit from taking a look at the different approaches and see that maybe, just maybe, there is intrinsic value in the time given to the lesson itself. (And yes, we all know practicing helps)

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Great Teachers Evolve!

GREAT TEACHERS – NOT ALWAYS!

Very few of the finest music teachers set out to teach. In fact most of us were set on never becoming teachers at all. We are and were performers; wanna-be rock stars (maybe still for me), classical players, jazz artists, composers, singers, songwriters, and anything but music teachers. But that changes with some of us, either smoothly or at slow painful grind. If you have a great teacher, rest assured there is a good chance they never wanted to be one.

For me (wanna-be rock star), I was working as a waiter with a music degree. I was (and still am) a composer, rock musician and I wanted to hit it big. I played every gig (music job) I could: whether for free, for gas money, or maybe even good cash.

I had worked my way out of the free gig category (most of the time) and worked my way up to a “semi professional” musician. “Semi” to me meant almost being able to support myself as a musician. Notice there is no mention of life style here. Life was fun, but the semi was an issue, like most musicians, I wanted to be pro and nothing less.

One day I get a call…

So one day I get a call, “hey Jay I hear you play piano and wanted to know if you could teach my children”? In my head I’m thinking “are you kidding, no way, I can’t teach, I’ve never taught, I don’t know half as much as my teachers did, who gave this person my number.” But then I felt the power and guilt of the word “Semi” and so I asked a few questions about what I was getting into; set a date and said I would give it a try (my attempt at non-committing). I was more scared about screwing up some kids musical future then playing in front any large crowd or important gig. I reluctantly began my teaching career and chalked teaching up to being one step closer to Pro.

Those first two students we’re aged 5 and 10. I remember saying to my then soon to be wife, “I’m not sure if I’m teaching these kids anything, I don’t know enough”. Little did I know these feelings are the core of what makes a teacher great; Caring. I was always worried about messing up the kids (musically of course). Wondering if teaching was a legit way to be pro. Anxious if I was loosing something. Scared that I might like it, teaching that is. This is where the story needs to end now.

Two becomes forty

My two students turned into 6 after six weeks. Those 6 students turned into 20 in 3 months, and those 20 turned into 40 by the end of the year. Why? How? What made me a popular teacher? Was it just me? My personality? What did I have to share that was special? Something I said, something I did, or something I understood? That’s why I’d like you to follow my blogs. If you’re a parent you need to know about music teachers. If you are a student you need to know about music. If you’re a teacher you need to know about everything. Why? Because there is something about music that makes life real, that enhances a feeling that stimulates your scenes. It validates the soul.

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